All Books

In this thought-provoking work, Midgley challenges the prevailing notion that science can answer all questions about human behavior and culture. She argues that to truly understand our humanity, we must also engage with poetry, literature, music, history, and even theology. Midgley emphasizes the importance of these disciplines in providing a holistic understanding of what it means to be human. This work is classified under philosophy and cultural studies, focusing on the interplay between scientific and poetic approaches to understanding human nature. It is a non-Fiction text and is not considered a work of Fiction. Midgley’s accessible writing style and compelling arguments have made this book a classic in discussions about the limits of scientific explanation and the value of the humanities.

This scholarly work provides an in-depth analysis of the sexual and non-sexual innuendos present in William Shakespeare’s plays and sonnets. It begins with a comprehensive introductory essay that categorizes and exemplifies various forms of bawdy expressions and allusions used by Shakespeare. The main portion of the book consists of an alphabetical glossary detailing words and phrases employed in sexual or scatological contexts, complete with explanations and cross-references. This work is classified under literary criticism and linguistics, focusing on the analysis of language and themes within Shakespeare’s works. It is a non-Fiction text and is not considered a work of Fiction. Shakespeare’s Bawdy is regarded as a classic in Shakespearean scholarship, offering valuable insights into the playwright’s use of language and the cultural context of his time.

This seminal work, first published in 1972, has established itself as a classic in modern anthropology and is considered one of the foundational texts in anthropological economics. Sahlins ambitiously tackles the nature of economic life and how to study it comparatively, radically revising traditional views of hunter-gatherer and so-called primitive societies, revealing them to be the original “affluent society.” In this work, Sahlins examines notions of production, distribution, and exchange in early communities and explores the link between economics and cultural and social factors. He presents a radical study of tribal economies, domestic production for livelihood, and the submission of domestic production to the material and political demands of society at large. Sahlins regards the economy as a category of culture rather than behavior, placing it alongside politics and religion rather than rationality or prudence. He controversially concludes that the experiences of those living in subsistence economies may have been better, healthier, and more fulfilled than those enjoying the affluence and luxury afforded by modern industrialization and agriculture. This Routledge Classics edition includes a new foreword by David Graeber of the London School of Economics. The book is classified under anthropology and economics and is a non-Fiction work. It is not considered a work of Fiction.

This collection features a selection of Andersen’s most beloved fairy tales, which have captivated readers of all ages for generations. The book includes classic stories such as “The Ugly Duckling,” “The Little Match Girl,” and “The Snow Queen,” among others. These tales are renowned for their imaginative narratives and moral lessons, reflecting Andersen’s unique storytelling prowess. This work is classified under literature and Fiction, specifically within the genre of fairy tales and folklore. It is a collection of Fictional stories that have been cherished for their timeless appeal and profound insights into human nature.

This seminal work, first released in 1974, offers a comprehensive analysis of television’s history, institutions, programs, and practices. Williams examines the interplay between technology and culture, challenging the deterministic view that “the medium is the message.” Instead, he emphasizes the active role of viewers in shaping television’s impact on society. This work is classified under media studies and cultural studies, focusing on the relationship between television technology and its cultural implications. It is a non-Fiction text and is not considered a work of Fiction. Williams’ analysis remains relevant, offering insights into how television as a medium influences and is influenced by societal factors.